i love how almost all of tl4j have some relation to mortis

(donation doodles! // tip jar)

First names are something to be used sparingly and on special occasions😌

iii. the king, finn

scotpan au

Caleb and Cal are besties actually

✨🌙   𝐀𝐑𝐓 𝐋𝐎𝐆 ->  @404ama

their collective teaching credentials are basically just "haha dude trust me I know what I'm doing for sure"

#the lineage we deserve

Thinking about how, at the end of the day, at the fatal moment, the sunset of the Republic, it wasn’t Yoda, or Obi-Wan, or even the Chosen One himself standing in the way of Palpatine. It was Mace Windu.

Mace Windu, the inventor of Vaapad and Master of Form VII, the Jedi's strongest duelist, the only person to ever defeat Palpatine in combat. Mace Windu, Master of the Jedi Council and the youngest Master ever appointed to it, the revered leader of the Order. Mace Windu, who forgave even those who tried to kill him, who risked his life over and over again for his troops, who, after 3 years of desperate war, tried to negotiate with battle droids. Mace Windu, who knew the clones were created by the Sith and chose to trust them, who saw every Shatterpoint in the Republic, and loved it still, and fought for it until his last breath, until he was betrayed by Anakin, who he believed in and trusted despite everything.

Mace Windu, High General and hero of the Republic, the embodiment of the Light, the last and greatest champion of the Order, the best Jedi to ever live.

"why doesn't this thing in a movie/book/tv show happen exactly like it would in real life" is the most brain dead criticism the internet has to offer, and yet I see it EVERYWHERE.

Oscar Isaac as Poe Dameron in Star Wars: The Last Jedi

“the average Jedi is very bad at staying under the radar” factoid is statistically incorrect. Cal Kestis, who introduces himself by name to every person he meets and is incapable of not using his lightsaber for more than 10 minutes, is an outlier and should not be counted.

Listen to the puppet luke

I just NEED everyone to agree with me that Rey's parents are nobody. We should all agree about that. We should collectively, as an audience, say, "clearly the best idea was to have Kylo Ren be a dynastic heir to the major legends of the Force who wants to throw off his family's shadow, while his rival is nobody from nowhere who wants to belong--so we're going to stick with that."

And then, what should have happened is, Rey can finish her story by being able to say, "My parents might have abandoned me, but that doesn't mean I'm worthless." And eventually Kylo Ren can say, "My family might have been powerful, but I don't have to be," and all those other things that they can bounce off of each other as great foils.

It can keep being a good story about accepting past failures and choosing to grow beyond them.

Let's just all collectively ignore Rey Skypatine because of how silly that was. I mean. If they can just ignore the setups in the previous movie, we can ignore their choices in the conclusion. Right?? Right? Tell me I'm right

Listen it might already have been said but the thing that makes Knives Out and Glass Onion distinct and great compared to mysteries with Sherlock Holmes or Hercule Poirot is that they are both very importantly not focused on the detective.

Benoit Blanc is an great character to be sure, but the journey is focused on the injustice towards the victim. The thing that drives the movie with the thirst and want for an answer is NOT in the pursuit of showing off how smart and intellectual our main detective is, but instead is driven with the pursuit of showing off the compassion and humanity of the main character WHICH is NOT just the detective, but also the victim.

The inherent cold, factual apathy that is present not only in many typical fictional detectives, but in the very nature of our obsession with crimes and mysteries--whether it be a TV show highlighting a detectives’ intellect by showing how little they care for emotions, or a documentary on the “insane brilliant psyche” of a real life serial killer. The FOCUS is always on the crime, on the murderer, on the unfeeling facts and sciences that “must always lead” to an eventual answer.

And that is why it is so refreshing when these movies subvert these tropes, not just on the surface level of telling you who the killer is midway through, or making a perfect crime look idiotic. No, it’s also that they change the very object of desire and that it is not just looking to see who the killer is, but to see who the victims are, and where the justice is. It’s about the victims and their pursuit of closure when the justice system fails them! It’s about the detective being a caring human being instead of a knowledge machine! It is about how there is more to the crime than just solving the crime! but also yeah the movies are good because benoit is gay with hugh grant that too

a studious Mai, cause I needed something therapeutic to draw.