Me: I shouldn't disturb Neil Gaiman. I shouldn't send an ask unless I really have no way of getting the information otherwise. I'll check old interviews and all the articles that vaguely mention the subject. Of course it goes without saying that I'll read though the FAQ in its entirety. Only then, will I send an ask. However, I'd be very polite and praise his work, as anyone would. I'd also keep it short, because I don't want to waste his time. But I'd keep it very very respectful. I'd be sending a message to a very talented, amazing author that deals with god knows how many like me. Or I'd just stay in the dark and not send him an ask. Yeah, I'll do that.

My Dash:

What other Neil Gaiman work might you like?

The biggest thing to know about Neil Gaiman is that each work of his is a mixture of horror, fantasy, and subtle comedy.

That being said, each of his projects is pretty distinct from one another and there might be some that are more up to your tastes than others.

I haven't read some of his newer stuff (because I largely stopped reading as much since the early 2010s), but I'll do my best to remember what matters in other works.

Horror

The Sandman is a great work for horror fans. It's also great for mythology fans and other nerds, but horror is a major push and pull factors.

The comic is probably the greatest body of work Gaiman produced and it's recommended if you're a goth at heart and are comfortable with themes of death and humans being gods' toys.

The Sandman (TV) is a great adaptation, but it's very short so far and doesn't cover the best stories.

Coraline is a horror story for children. It doesn't have anything that's not suitable for kids, but it can be viscerally scary to some people. Both the book and the film are great.

Mirrormask is my personal favourite, it's a low budget film with mindblowing surreal imagery and one of the best soundtracks ever.

It's about a teenage girl who has troubles with her parents (who run a circus, btw) and who gets swiped up by her imagination into a bizarre world that is being eaten by her depression. Not a scary film, per se, but it's disturbing. However, it's a very warm film and it always makes me feel better.

Fantasy

Neverwhere is set in a dimension of twisted London Underground where everything that's straightforward in our world becomes weird and too real.

It really tickled my imagination, I highly recommend the book.

Stardust is set in a more high fantasy setting.

It features kings, witches, ghosts, and a star that fell to the Earth. It has a young protagonist who's not exactly the best or the brightest person, so if you hate such things, stick to the adaptation. In my opinion, the book is just lovely.

American Gods is a darker fantasy that asks the questions: "What if every god people ever believed in became real through the power of their worship? And then what if that worship started fading?"

It's set in the USA and because that country is such a melting pot, there are many gods. And not all of them are happy. This is the book that gave Neil Gaiman his reputation of a writer who loves weird sex scenes.

Humour

Stardust the film is often compared to Princess Bride. It's lighthearted, funny, full of imaginative adventures.

Just a very nice film with an all-star cast.

Anansi Boys is a spin off of American Gods, but it's a lot more lighthearted.

Anansi is a trickster god, so you know things will get funky.

I haven't read The Graveyard Book and The Ocean at the End of the Lane yet, but I hear they're very good as well.

Also, short story collections or Norse Mythology might be a good place to start if you want to get a feel of Neil Gaiman as an author first.

collection (2016)

Neil Gaiman and Roz Kaveney at the British Library event Why We Need Fantasy 20.11.2023 :) ❤

Neil: I don't remember if it was you or John M. Ford, the late Mike Ford, who pointed out to me first that there is a thing that I do that I was not aware of doing. And it was.. and I remember this being pointed out to me at the time of the publication of American Gods. Or possibly even before it was published, when I sent it out a manuscript. Because it was pointed out to me that one way that you can tell that you're entering the third act of a Neil Gaiman story is there is always a kiss that sort of ends the second act. And it's never a sort of romantic kiss. It's always a kiss that is unexpected and a little bit wrong, but it symbolizes where we're going to go next.

Roz: Yeah, that was Mike, it's too smart for me.

Neil: That was Mike. And I remember arguing with him and then him pointing out that all the places I'd done it. And then I did it again in the Anansi Boys and didn't realize that I'd done it. And then I forget about this thing. And I saw somebody on Tumblr had found an interview with me from 2002 where I'm talking about this and the kiss, and they're like, 'Still doing it then'.

:)) Yep, Neil is still doing it :D <3 (this is the tumblr post)

You can watch the whole event here :).

Another copy of American Gods by @neil-gaiman . Originally in paperback, rebound as a hardcover book in hand dyed red sienna leather with gilded pages edges and gold vinyl decoration depicting Shadow Moon standing beneath the tree Yggdrasil.

yk I always forget that Neil Gaiman is on tumblr so I'll see one of his posts and just go holy fuck

I wanna ask him so many questions but I'm too nervous. If he sees this Mr. Gaiman I love your works they are very inspiring and you are an amazing author and I love so many of your books

Have a nice day Mr. Gaiman

Neil Gaiman when you tag him:

Neil Gaiman when you write the most unhinged shitpost while drunk at 4am:

Soap (who you’ve never met before ever in your life) being your server during an anniversary dinner with your long-time boyfriend except he took one look at you by the host stand and decided he had to have you. 

Calls you “sweet thing” while he unwraps a straw and puts it in your water glass for you. 

Asks if you’re out with your brother (without making eye contact with your boyfriend) and even after you told him no, he still ‘makes the mistake’ a few other times during the meal. 

Stops over way more than is necessary. Probably has the kitchen intentionally screw up your appetizer so that when you bring it up he can make you feed him off of your fork. For quality control, of course. “Cannae have a sweet thing like you wasting the talents of a pretty mouth like that on something below par.”

Your boyfriend is pissed. Sends back his food twice and makes such a scene that the manager comes over. When he throws accusations of an “overly fucking friendly waiter,” you try to smooth the situation over by saying that everything was fine. Your boyfriend gets so riled that he throws a fistful of cash on the table and tells you it should cover his meal and your ride home. 

Soap swoops in while you’re sobbing at the table. Slides in your side of the booth carrying a scoop of vanilla ice cream topped with an obscene amount of whipped cream and a cherry. Squashes you up against the wall while he coos kind things in your ear. Like he’s reading off a script meticulously chosen to include all of the right things that make you let down your guard enough to agree to let him drive you home. 

“Wouldnae hear of you driving yourself home in this state, kitty.”

And once he finally gets you back to his, he goes in for the kill. Keeps saying the right things, keeps wrapping his arm around you and pulling you right into his side, keeps pushing his face close to yours. So much so that it almost feels like it’s your idea when you- still hiccuping and sniffling softly- lean forward and close the centimeters wide gap between you.

If Neil Gaiman and David Tennant are having Imposter Syndrome, you're good.

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